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March 16, 2023
Many genres have their own stylistic idiosyncrasies that readers have come to expect and love about their favorite kinds of books, including a poetry book layout. While most books are fairly easily identified by their cover design and title, some genres may structure their contents in a way unique to the book’s contents. An art book is formatted to highlight beautiful photography with two-page spreads and comic books are designed to play up their graphic elements.
Poetry books too may present differently than other genres, and this genre is known to present with style, tone, and formatting that reflects the contents of the poems. So what should your poetry book layout look like? While there are not many rules that can’t be broken when formatting a book full of artistic representations like poems, some general guidelines can help you develop the right structure of your poetry book layout to complement the verses and any accompanying artwork in your own poetry book layout.
More than any other genre, the format of a poetry book layout can be used to extend and enhance the poet’s overall vision for their work. Through bold, obvious formatting as well as nuanced, almost invisible choices, poets can design their poetry book layout to enhance their poetry and improve their readers’ experiences.
When developing the format and style of a poetry book layout, the first consideration is the intent and vision of the poet. Developing the format of the book hinges initially on the fundamental intent of the poet’s content:
Once the initial design question is complete, then you can look at the different ways to use the formatting to reflect the poetry’s overall meaning and tone. What an author chooses to include in the poetry book layout and the design choices that guide their style will impact the final poetry book layout.
Some aspects of every book are similar, like the front matter of a published book which includes all of the pages that come before the content of the book. The title page, introduction, copyright page, dedication page as well as an introduction or a table of contents all follow a fairly standardized format.
But when the purpose of a book is artistic in nature, authors can add stylized formatting to the front matter to reflect the poet’s tone or intent of the book’s contents. Some authors choose to use one, a few, or all of these locations to extend the mood and intention of their poetry from cover to cover.
While the front matter may seem an unlikely location for an author to inject personality into a Many genres have their own stylistic idiosyncrasies that readers have come to expect and love about their favorite kinds of books, including a poetry book layout, small adjustments and inclusions when taken as a whole, can be impactful.
Title Page: The first page of a book that can potentially include content intended to shape the reader’s experience is the title page. Authors can creatively use this space to integrate interesting fonts, colors, or even graphic elements, mimicking the cover design or introducing new hints at the upcoming poetic themes.
Introduction: While not always included, poetry collections may be introduced by a poet who wants to provide context for readers. In a poetry book, an introduction may also include graphic or visual elements as well as an injection of color to begin the poetic experience. Typography choice can also play a part in setting the stage for the book’s contents.
Table of Contents: A poetry book layout usually will include a formal table of contents when multiple poems are part of the collection. But adding tweaks to the style of this organizational tool is the perfect way to hint at the mood and creativity of the author’s work.
Simple changes like centering the list rather than using justified margins to highlight titles or thematic section titles while including graphics such as bold lines or other dividers to delineate sections can add interest to this otherwise straightforward section of a poetry book.
An author’s selection of font style, size, and even color can be one of the most impactful decisions when determining the layout of a poetry book. Distinct font styles can be used to convey emotions and tone to the reader, especially when used sparingly. A surprisingly bold or large font used on the title page, for example, can indicate that the reader should expect that the upcoming content will be similarly shocking or surprising.
The size and style of font may also play a big role in the author’s poems as well. Some fonts are wide while others are slimmer, impacting how many words are presented on each line of a poem. Authors may choose to select font styles and sizes to guide their poetry toward specific visual appearances to add to the poetry’s overall meaning. Choosing unique typesetting for a few selected poems further enhances the impact and can create a more interesting and meaningful poetry book layout as well.
Many poets pair their work with sketches, graphic images, or illustrations. Two-page layouts may be necessary for some poetry selections. Others may tell their story most effectively on a single page when partnered with another poem or pair of images on an adjoining page or next to a blank page.
The use of white space is especially important in artistic compilations like poetry books. Including blank pages before, after, or between poems can influence the mood and tone of the works.
Some poetry book layouts should also include intentional page breaks that offer graphic elements or even explanations of the upcoming works or themes that the writer is exploring. Some authors choose to use color, typesetting, or other graphic elements as relief between sections in their book, all of which add to the mood and pacing of the book.
When deciding on the order in which to place each poem, there may be a natural progression of the poems that guides the organization of the book that contributes to the meaning of the book’s contents. Or authors may need to decide on the most appropriate order based on each poem’s contents and presentation.
Authors will want to consider how graphic elements play into the order of their book as well as when typesetting changes would benefit poems that do and do not have visual imagery tied to them.
Page numbers are typically a critical part of a book’s organization but for a book of poetry, the otherwise helpful numbers can sometimes feel intrusive. Consider using page numbers sparingly by only numbering sections or placing them in the corner of the page rather than centered to give maximum page space to the poetry itself.
The poetry should take center stage in the book, so authors should lean toward a more simplistic style of layout to highlight their work. A complicated layout, too many graphic elements, or not enough white space can all create a busy book that provides a confusing or rushed reader experience. Minimal and clean layouts allow the words and phrases to be the stars and help the reader focus on the author’s intent in the book.
Some types of poetry are, by their very nature, more visually complex. When busy graphic elements are part of the poetry, simplify the surrounding areas so the visually experimental or bold elements will be presented in the best light for readers.
Strategically place poems with special considerations in a place that will maximize the reader’s experience while not intruding on the other poems and their meanings and intents throughout the book. Extra whitespace around complex pieces allows the reader time to breathe and absorb complicated themes and presentations while not taking away from other inclusions in the book.
Books for young children share similar elements to poetry book layouts as they often tell a cohesive story through rhyming verses that are supported by visual elements that enhance the story.
Since these types of books are aimed at young children between the ages of birth through 5 years, it is likely that parents are reading these books to their children. So designing some aspects of a children’s picture book with the reader in mind rather than the intended audience can help turn them into a beloved book more easily.
Simple, highly readable typesetting will help parents follow the story easily while beautiful full-color illustrations with details that appeal to young children’s imaginations will keep them involved in the verses from the time they are young until they can read the words themselves.
Writing and publishing a book of verses is many a poet’s dream come true. And partnering with a trusted printer can help you become a published poet. Publishing Xpress can help you transform your collection of poems into a beautifully bound poetry book, complete with a gorgeous cover thanks to our expert cover design assistance that Publishing Xpress offers to all self-publishing authors we work with.
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